Sleeps With Monsters: Epic Fantasy and Feminism in THE WOMEN’S WAR and THE RUIN OF KINGS

A new post over at Tor.com:

Who doesn’t like epic fantasy? And feminist epic fantasy, at that?

The Women’s War by Jenna Glass and The Ruin of Kings by Jenn Lyons are both opening volumes in new epic fantasy series. I read them one after the other, and can’t help comparing their approaches to feminism—because both of them set themselves within oppressive societies. And yet, though The Women’s War spends more of its time with female main characters and sets itself amid a violent struggle for the liberation of (some) women in a rigidly patriarchal society, I found The Ruin of Kings more inclusive and more persuasive—more liberatory—in its approach to a patriarchal society.

SONG OF THE DEAD by Sarah Glenn Marsh

A new review over at Tor.com:

Song of the Dead is the sequel to Sarah Glenn Marsh’s debut Reign of the Fallen. I reviewed Reign of the Fallen here last year and enjoyed its voice and approach, though I found its pacing uneven, and its treatment of relationships not quite up to the highest mark, but it had voice in spades, and engaging characterisation.

Song of the Dead shares some of Reign of the Fallen’s flaws, but also its virtues.

A LABYRINTH OF SCIONS AND SORCERY by Curtis Craddock

A new review over at Tor.com:

An Alchemy of Masques and Mirrors (2018), the first volume in Curtis Craddock’s The Risen Kingdoms series, was an extremely accomplished fantasy novel. It combined intrigue, adventure, and swashbuckling in a setting filled with airships and floating kingdoms, ancient religion, lost knowledge, and powerful magic. Its politics bore the influence of Renaissance Europe while its narrative approach held something of the flair of Alexandre Dumas. An Alchemy of Masques and Mirrors set a strikingly high bar for any sequel to follow.

Fortunately, A Labyrinth of Scions and Sorcery more than meets that bar. It’s just as good as its predecessor—if not better.

Sleeps With Monsters: Queering Classic Fantasy Stories

A new post over at Tor.com:

New year, new queer! If that’s not a catchphrase somewhere, it ought to be, and—as you may have guessed—queerness is the element that unites the stories I want to talk about this week. The presence of queer women in the stories I read is becoming so delightfully frequent as to begin to feel unremarkable, and I’m really enjoying this current state of affairs. It’s not something I feel I can allow myself to get used to, because it was a rarity for years.

 

 

Sleeps With Monsters: Phyllis Ann Karr’s Sword and Sorcery Novels

A new post over at Tor.com:

Recently, Sonya Taaffe chanced to mention Phyllis Ann Karr in one of her blog posts. Karr has never been a prolific author of science fiction and fantasy, and she remains best-known for her Arthurian murder-mystery The Idylls of the Queen and for the pair of fantasy novels, first published in the 1980s, which I’m going to talk about here: Frostflower and Thorn (1980) and Frostflower and Windbourne (1982).

Sleeps With Monsters: More Books to Look Forward to in 2019

A new post over at Tor.com:

In a previous column, I outlined many of the sequels and series continuation books that I’m looking forward to in 2019. (Which I, like many people I know, continue to type “2018” as often as not. It feels very strange to be this far into the science fictional future of the 1980s. But that’s time for you.) In this column, I want to mention some of the standalone or series-opening novels that are due out in 2019, which I’m looking forward to very much.