Star Trek: Discovery:
At Lady Business:
One of the things I loved so, so much about The Vulcan Hello, and about Michael’s character, is that both show that Discovery is in love with space. Michael’s space walk scene is a really obvious, hearts over the ‘i’s,love letter to space (as well as a clever wink to the technique of shooting Star Trek in the early days) and it is glorious. Her early scenes among the sand dunes shout ‘Yes, space is unknown and can be scary but look how amazing it is out there’ and then throw chocolates at space’s feet. Michael’s practical, exposition drop of an opening speech quickly turns into ‘I remain optimistic. It’s hard not to be in the face of such beauty.’ and a discussion of a binary star system while looking out onto beautiful space vista. Star Trek: Discovery <3’s space. Hard.
- Liz is intensely amused that there was plot justification for heavy lens flare
- There are Starfleet insignia on the boots. Like, these costumes were designed expressly to torture cosplayers, right?
- We were so busy having feelings that we kind of overlooked the plot stuff. Liz is intrigued by Michael’s upbringing and the bombing of the Vulcan Learning Centre, and is reserving judgement on the Klingon stuff. Are Klingons inherently interesting when Worf’s not around? Look, they can’t help not being Romulans or Cardassians. No one’s perfect.
- Liz was chatting to Tansy Rayner Roberts, who described the premiere as “emotionally intelligent”, and I think that’s a really good summary.
At The Mary Sue:
I’m looking forward to the far more gender-fluid future where gendered stereotypes lose ground, and anyone can be named anything that they damn well please, though we’ll still have to grapple with the cultural weight of names.
Elizabeth Bear on female characters and epic fantasy:
If women existed in the real world at the same ratios in which we exist in epic fantasy, the human race would be obliged to reproduce as do anglerfish. Which is to say, with one large female swimming along, going about her business, while a plethora of smaller males clamp their jaws onto her flanks, graft their bloodstreams to hers parasitically, and allow themselves to be dragged along with her wherever she happens to roam because it’s their best chance of having the opportunity to release a stream of milt over the eggs that she will inevitably deposit.
(Don’t read the comments.)
K. Arsenault Rivera on personal failure in fiction:
So often in epic stories the hero always makes the right decision, so often they act in the interest of the greater good. To me, it’s always been far more interesting—more human—when they choose to wallow a little instead. We might all like to imagine ourselves winning duels and pulling swords out of our loved ones, but we can all relate to making bad decisions.
A scientific study of cat personalities.
Call for Papers on classical receptions in speculative fiction.